Written By: Eric Sperrazza | Photographed By: Christina Cosenza
There are some bands that, to truly know them, you must see live. Take KISS as an example; they were on the verge of losing their record deal because, although they played sold-out shows on the road, they simply couldn’t move albums. Then, “KISS: Alive!” debuted. An album that truly captured the audible experience of the band’s tour de force performance, it stands as one of their best-selling albums to this day. The same can be said for bands like The Ramones or Queen. You truly can’t understand their brilliance until you’ve seen them perform in person. Today, another band can be officially added to that list, and that band is Taking Back Sunday.
Taking Back Sunday was birthed in 1999 on Long Island, New York. Living neatly between the lines of post-hardcore and emo punk, you could feel the strings snapping on their guitars with their hard-hit chords, all while their lyrics dripped with passion. Their debut album, Tell All Your Friends, became a must-own LP in the feverishly growing emo scene. Taking Back Sunday has undergone several lineup changes but has maintained a consistent presence in the alternative music world, releasing several successful albums and building a rabid fanbase. But, beyond all of it, there is something deeper with the band than just being a standout in the early 2000’s emo explosion. More than identifiable emotional lyrics that reach into the souls of so many. More than a scandalous feud with Brand New. There is something that must be seen.
On Friday, Taking Back Sunday stopped off at The Fillmore with special guests, Citizen, to give Philadelphia the chance to experience their particular je ne sais
Citizen set the pace first, starting at about 8:00 p.m. The band, Mat Kerekes (vocals), Nick Hamm (lead guitar), Eric Hamm (bass), Mason Mercer (rhythm guitar), and Ben Russin (drums), took to the stage and immediately ripped into the song, ‘I Want to Kill You.” From that point on, Citizen put on a clinic in managing the delicate high-wire balancing act of Emo Post-Punk and good old-fashioned Detroit Rock. From tracks like “Hyper Trophy” and “Blue Sunday” to the fan-dedicated “The Night I Drove Alone,” Citizen was an opening act that put on a main event performance.
Through the blue-lit smokey stage arrived Taking Back Sunday, as John Nolan (guitar/keyboards), Shau
A true highlight was the new single off the 152 album, “The One.” If it was possible for one song to take a theater-sized crowd and magically make them feel like they were participating in an arena anthem at Wembley, it was this moment. Proof that you can be uplifted and inspired at an Emo show!
And that was it. That is what sets them apart. To see that band is to both feel the energy they create and be thoroughly and visually entertained, but all the while doing so within this tribe. That is the beauty and the legacy of Taking Back Sunday.
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